Sunday, October 11, 2009

Julie & Julia

Director: Nora Ephron

Cert: 12A 

Time: 2hrs 3mins

 

There are so many programmes on television these days devoted to cooking that it’s hard to imagine a time before they existed.  The catalyst for this revolution was Julia Childs, a larger than life American who, whilst on a posting in Paris with her diplomat husband, first learned how to cook the French way and then wrote a book about it. Her opus, Mastering the Art of French Cooking was first published in 1961 became an instant hit accompanied as it was by a television series in which Childs popularised the phrase “Bon Appetit”.

 

Fast forward to 2002 and Julia Powell a young government employee, wedded to a dead end job, yet dreaming of being a writer.  Over dinner one evening she hits on the idea of preparing all 524 recipes contained within “Mastering….” in a calendar year and writing a blog about it. It went on to be a huge online hit and her story provides the basis for Nora Ephron’s charming comedy starring Meryl Streep as Childs and Amy Adams as Powell.

 

If there is one thing that this film delivers so successfully it is in the performances of Streep and Adams who convey, so convincingly, the love which Childs and Powell held for cooking. And along the way we get some delightfully funny moments interspersed with a poignant depiction of the strength of the relationships that each of them enjoyed with their respective spouses.  Well worth going to see.

 

Rating: 3/5

 

Patrons: 18

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Saturday, October 3, 2009

Fish Tank

Director: Andrea Arnold

Cert: 15 

Time: 2hrs 3mins

 

Rarely does a day pass without some reference in the news to the underclass be it feckless ASBO seeking youths or teenage mums who breed simply to get a free home.  We hear about it but have little experience of it an imbalance that Fish Tank makes an excellent attempt to rectify. 

 

Mia, brilliantly played by debutant Katie Jarvis, is a volatile and gobby 15 year old, excluded from school and ostracized by her friends.  Hardly surprising given the absence of love that she receives from an inadequate and promiscuous mother (Kierston Wareing).  One summer’s evening she (the mother) brings home a new and mysterious boyfriend called Conor (Michael Fassbender) who is clearly different from previous beaus.  For one thing he is quietly spoken, rarely swears and offers affection where none had previously existed.  Yet he too has his own personal weaknesses and demons which, when given full reign, seek to destroy all the good that he brings to Mia’s dysfunctional family.

 

Like Red Road, Andrea Arnold’s previous outing, one never knows quite how things are going to turn out. All of which serves to maintain the interest over what is admittedly and unremittingly bleak couple of hours during which almost everything in Mia’s life turns sour.  But never once does the tale drift into sentimentality and the end, when it finally arrives, offers a smidgen of hope. To describe Fish Tank as strictly “entertainment” is a moot point but it should be required viewing for all with government responsibility for law & order and social services.

 

Rating: 4/5

 

Patrons: 24

 

Also @  www.thebrennandpost.blog.com

Posted by Charles Atlas at 20:15:58 | Permalink | No Comments »

Friday, June 5, 2009

Is Anybody There?

Director: John Crowley

Cert: 12a

Time: 1hr 35mins

 

Understated and slightly sentimental though it may be John Crowley’s film about the friendship between a grumpy old man and an independent minded youngster is highly enjoyable.

 

When Clarence (Michael Caine on top form) a retired magician comes to stay at the care home owned by Edward’s parents the latter’s life is disrupted. Unceremoniously removed from his bedroom - to make way for Clarence - he is nonetheless forced to interact with a man whom he finds difficult to like. However as the weeks pass their enmity recedes as each helps the other, Clarence in making the youngster engage with the world of the living and Edward (Bill Milner of Son of Rambow fame) in getting Clarence to confront the death of his wife.   

 

One might think that a film set in an old people’s home might be rather morbid. Not so, with a number of laugh out loud moments. A further subplot of problems affecting the marriage of Edward’s parents and the impact on him, is also sensitively portrayed. Worth the entrance fee.

 

Rating: 3/5

Patrons: 14

 

CA

Posted by Charles Atlas at 22:35:50 | Permalink | Comments (1) »

Thursday, May 21, 2009

The Class

Director: Laurent Cantent

Cert: 15

Time: 2 hrs 8 mins (French with subtitles)

 

They say that education is wasted on the young an assertion which this film, about life in a tough, multi ethnic Parisian school, only serves to confirm. Based on the autobiographical novel by Francois Begaudeau (who also stars in the film) Laurent Cantent’s documentary gives a warts and all account of a year in the life of a French teacher battling to keep his flock on task. 

 

It is a depressing tale of recalcitrant teenagers, whose non-existent appreciation of the norms of acceptable behaviour, stretches his goodwill to the limit. And in so doing it demonstrates how a teacher (a skilled practitioner) has his existence reduced to the role of child minder. I can only think that there are better ways to spend the money.

 

The film however also provides some object lessons in how not to manage conflict, as one particularly difficult miscreant slides ever closer to expulsion. It is clear that some of the more progressive methods that the school adopts are totally inappropriate and I would also suggest a course on handling disciplinary interviews.  That aside one is left feeling “what’s the point?”  If ever a film confirmed that education should be compulsory up to age 14, after which children should be free to choose, it was this.  

 

Rating 3/5

 

Patrons:  45

 

CA

 

Posted by Charles Atlas at 08:58:00 | Permalink | Comments (1) »

Friday, May 15, 2009

Wendy & Lucy

Director: Kelly Reichardt

Cert: 15

Time: 1 hr 20 mins

 

Based on the short story “Choir Train”, by Jon Raymond, this is typical art house fair. It focuses on Wendy Carroll, en route to Alaska, where she hopes to find lucrative employment in a canning factory and with that the beginnings of a new life with her dog Lucy. But when her car breaks down in Oregon, the thin fabric of her financial circumstance comes apart. Caught shoplifting she gets separated from her dog and subsequently loses all contact with her.  The remainder of the story follows her efforts to find her whilst facing up to the fact that her car is a dud and she doesn’t have the funds to repair it.

 

The basic story is sparse and little if anything happens. Yet it still successfully portrays issues surrounding generosity and compassion and in so doing reveals the limits and depths of the help people can offer in times of difficulty. Michelle Williams is also superb as the forlorn Wendy but we know so little about her that one feels slightly cheated when things end rather abruptly. Perhaps that’s the point.

 

Rating 3/5

 

Patrons:  8

 

CA

 

 

Posted by Charles Atlas at 22:43:33 | Permalink | Comments (1) »